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内容紹介 First published in 1980.

In this study of Shakespeare’s ten early comedies， from The Comedy of Errors to Twelfth Night， the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed， and the emergence of new comic protagonists - the resourceful， anti-romantic romantic heroine and the Fool - as the summit of the achievement.

The plays are explored from three complementary perspectives - theoretical， developmental and interpretative which lead to a further understanding of the powerful relation between the plays’ formal complexity and their naturalistic verisimilitude.

洋書 ≫ Literature & Fiction ≫ History & Criticism