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Album Description In 2003， primary Dirty Projector Dave Longstreth shocked and awed critics with his debut The Glad Fact， a strange， messy collection of singularly beautiful songs. In 2004， he bewildered fans and critics alike with his challenging orchestral suite Slaves- Graves & Ballads. The new album will astonish again， as Longstreth trades his wabi-sabi for an arsenal of subwoofing sin waves， stoned rhinemaidens， clipshod beats， bone-crushing riffs played by wind orchestras， weird de-tuned guitars， and Wagnerian psychodrama. It is as subtle and flinty a piece of protest music as ?A Hard Rain-s A-Gonna Fall?- but in the end it is a love story， recorded over the course of almost two years in three different states with more than twenty-five people.