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Album Description
As Russian composers developed an appetite for depicting facets of their vast and diverse country， it was only natural that they would seek out new and spectacular musical colors. Regional folk elements， whether from Western Russia or the exotic East， in themselves add color， yet their effect is multiplied when the full resources of the orchestra are brought to bear. The Polovtsian Dances’ strong oriental flavor is a product of their role in the opera’s drama [Prince Igor]. They constitute the exotic entertainment that the Polovtsian warrior Khan Konchak provides for the Russian Prince Igor， whom he has defeated in battle and holds captive but is determined to treat with all due respect. The Grand Polonaise from the opera Eugene Onegin creates the perfect atmosphere for the party scene in which the jaded Onegin finds himself smitten by the girl he once rejected. A certain similarity exists between the familiar waltzes from the ballets Swan Lake and Sleeping Beauty; each waltz embodies a peasant celebration. In the 20th century， orchestral virtuosity was a hallmark of any Russian composer worth his salt， and none exploited the orchestra’s potential more enthusiastically or with greater confidence than Aram Khachaturian... Suites from Khachaturian’s colorful ballet scores Gayaneh and Spartacus have become popular for their bracing rhythms and vivid percussion (Saber Dance and Lezginka) as well as his evocative melodies (Lullaby and Adagio). The incidental music for Lermontov’s play Masquerade...?vibrantly reinforces the play`s aura of intrigue and glitter amidst the ballrooms of 19th century St. Petersburg.?