ばいちょ(売価調査)、価格比較とネットでのお買い物を楽に

From Amazon.co.uk Until I heard Angela Hewitt’s marvellous record， my two favourite versions of Bach’s Italian Concerto， for very different reasons， were by Artur Schnabel and Rosalyn Tureck. I loved his muscularity and his frisky sense of celebration; I admired her marmoreal perfection. Hewitt combines the best of both worlds， and adds a host of other qualities into the bargain. Clarity and precision are pressed into the service of the most natural-sounding spontaneity; gorgeous cantabile with exuberantly muscular warmth. And after scaling the Bachian peaks for Hyperion--the Partitas， the Goldbergs， the 48--she has now turned her attention to some of his most unjustly neglected works. As her own erudite liner notes make clear， she’s under no illusions about Bach’s programmatic little ?Capriccio on the departure of his beloved brother?， but she makes the best possible case for our taking the Four Duets--in effect， two-part inventions--and the French Overture in B minor very seriously indeed. It’s bliss to find things both unfamiliar and magnificent， and doubly so when so finely played. Part of the alchemy lies in the way she induces her big Steinway to sound like a harpsichord. --Michael Church