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American composer Bernard Herrmann’s last film score was for director Martin Scorsese’s (and writer Paul Schrader’s) deeply unsettling， Dostoyevskian film noir， Taxi Driver--a portrait of urban alienation that’s never been matched. In the slow-motion images of New York City as Dante’s Inferno (steam rising into the air to suggest the hellfire below)， the orchestral music is ominous and dissonant， a rumble and crash that rises up from the underworld. But Herrmann’s other major motif is a slinky， smoldering sax theme that suggests the forbidden pleasures of big-city nightlife--bars and clubs， prostitutes and porno palaces--things Travis Bickle (Robert DeNiro) may himself indulge in， but that give him no pleasure. (In fact， they disgust him.) The soundtrack features a track in which Herrmann’s music is played behind bits and pieces of narration from Travis’s ’diary’: ’Some day a real rain will come along and sweep all the scum off the streets.’ Unforgettable music， unforgettable movie. --Jim Emerson
Album Details
Vinyl Classics reissue of the 1968 Original Soundtrack comes as a vinyl look-a-like CD that’s packaged in a die-cut see-through Slipcase. Arista. 2005.
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