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内容説明 Contents: ’Freundschaft’ und ’Liebe’ in keltischen Sprachen: Wolfgang Meid; Beyond historical linguistics: a case for multilingualism in early Wales: Alexander Falilcyev; Trade as a factor in the transmission of texts between Ireland and the continent in the sixth and seventh centuries: Jonathan M. Wooding; Early Irish lay society and written culture: Michael Richter; Some observations upon the treatment of non-Irish placenames in medieval Irish manuscripts; Kevin Murray; Ut Beda boat: Cuanu’s Signature?: Francis John Bryne; Irish transmission of Late Antique learning: the case of Theodore of Mopsuestia’s Commentary on the Psalms: Padraig O Neill; De XII Abusivis: text and transmission: Aidan Breen; Schaffhausen Generalia 1 and the textual transmission of Adomnan’s Vita Columbae on the continent: Jean-Michel Picard; Die handschriftliche Cberlieferung des Scarapsus: Eckhard Hauswald; Infancy narratives: European and Irish transmission: Martin McNamara; The Fall and the law in early Ireland: Damian Braken; Die altlateinische Gallicanus-Version (Gall.) der Georgslegende und ihr Reflex im Leabhar Breac: Wolfgang Haubrichs; Texts and scripts in surviving manuscripts in the script of Luxeuil: David Ganz; Biblical imagery and the heavenly Jerusalem in the Book of Armagh and the Book of Kells: Hilary Richardson; Liber vitue， vita libri: Karl Brunner; Texts and transmission: the law-texts: Fergus Kelly; ’Speaking in Riddles’: Robin Chapman Stacey; Gregorian texts in the Collection Canonum hibernensis: Luned Mair Davies; The transmission of the cult of St Maedhog: Charles Doherty; The Rule of Patrick: textual affinities: Patricia Kelly; The Latin quotations in Auraicept na nEees: microtexts and their transmission: Erich Poppe; Stability and fluidity in the transmission of narrative texts: the delineation of characters in Tain B6 Cuailnge: Doris Edel; Early Irish historical verse: the evolution of a genre: Peter J. Smith; A theory of warband education in medieval Ireland and Homeric Greece: Michael J. Enright; Vernement， merckent， schwigent still. Auffuhrungssituation und inszenierte Mundlichkeit im Prolog des ’Tristrant’ Eilharts von Oberg: Christina Ortmann.