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内容説明 While acknowledging that Pierre Boulez is not a philosopher， and that he is wary of the potential misuse of philosophy with regard to music， this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant encounters which link Boulez to the work of a number of important philosophers and thinkers， including Adorno， L-vi-Strauss， Eco and Deleuze. Relating Boulez’s music and ideas to broader currents of thought， the book illuminates a number of affinities linking music and philosophy， and also literature and visual art. These connections facilitate enhanced understanding of post-war modernist music and Boulez’s distinctive approach to composition. Drawing on a wide range of previously unpublished documentary sources and providing musical analysis of a number of key scores， the book traces the changing musical， philosophical and intellectual currents which inform Boulez’s work.