ばいちょ(売価調査)、価格比較とネットでのお買い物を楽に

From Amazon.com When he was a youth in his native China， Tan Dun spent a period as a fiddle player for a Beijing opera troupe. His intimate familiarity with the great Chinese epic opera The Peony Pavilion from the 16th century (produced during the 1999 Lincoln Center Festival) is evident in his own work of the same name， for which Peter Sellars collaborated as stage director. Bitter Love is a self-contained fusion of music and poetry that draws from Tan’s larger opera score. The traditional love story of The Peony Pavilion--which bears some striking similarities to the Orpheus myth--comes through in floating， dreamlike fragments that reflect Chinese poet Tang Xianzu’s lucid imagery like a smoky moon against water. As in his earlier and fascinatingly experimental opera Marco Polo， the New York-based Tan creates an eclectic collage of styles that mix East and West， old and new， as well as classical purity and pop energy， all with audacious imagination. This is， after all， a composer who has written music for water and stones， and he exhibits an almost childlike delight in the sensuous appeal of sounds here， in the overlay of traditional Chinese instruments such as pipa with synth beats， cross rhythms， and a panoply of percussion. Soprano Ying Huang gives Tan’s fluttering threads of melody a silver sheen. However tempting it might be to label Tan’s project as ?crossover，? it displays a depth and artistic integrity not usually associated with the term. --Thomas May